Álamos Cine Festival

april 3-6, 2014 alamos film festival header

Come One, Come All… It’s movietime!

A Magical moment in a Magical Pueblo.  Photo: Joel Gastélum

A magical moment in a Pueblo Magical. Photo: Joel Gastélum

r for the fourth annual alamos film festival, small.The photo above is from the closing ceremony at the Palacio.  The theme of the festival was “100 years of Maria Felix” and Miguel Castillo is singing “Maria Bonita” with Maria Felix’s eyes projected onto the screen behind him.  After he finished singing we played the movie “Yerba Mala” which was filmed in Alamos two years ago.  There were 700 seats filled in the Palacio for the closing ceremony.

Audience inside the palacio for the 4th annual alamos film festival.  alamos, sonora, mexico. 2014. photo - Joel Gastélum

What is a festival without an audience? Photo: Joel Gastélum

Meanwhile outside in the streets

line of people waiting outside the Palacio, Alamos, Sonora, Mexico to watch the film festival.  photo by Joel Gastélum

They came to be part of the film festival. photo- Joel Gastélum

 
More people were lining up outside and we were out of seats, so we made the announcement that we would also show “Yerba Mala” in the Plaza.  An additional 500 people showed up to see it in the plaza.

Outdoor Cine on a plaza side street.  photo - Joel Gastélum.  alamos, sonora, mexico.

Outdoor Cine on a plaza side street. Photo: Joel Gastélum

Maria Felix exhibition

inside the Museo Costumbrista de Sonora.  april 5th, 2014 opening of an Maria felix exhibition.  alamos, sonora, mexico.   photo - Joel Gastélum

Inside The Museo Costumbrista de Sonora. Photo: Joel Gastélum

On Saturday, April 5th there was also a Maria Felix exhibition in the museum. The exhibit was organized by our festival president, René Solis and was put together by a curator from the museum of Popular Arts in Mexico City. The exhibition will stay in the museum for at least a month and then will go to Mexico City and Paris this summer. Seen here from left to right are Benjamín Anaya (Presidente Municipal), Maria Duran (Representante de IMCINE) and Monica Luna (representante del Intitudo Sonorense de Cultura).

Inside museo costumbrista de sonora.  april 5th.  maria felix exhibition. photo - Joel Gastélum

History is for us all, young and old. Photo: Joel Gastélum

Here are some of the people that make the Festival happen.

caroline Duarte, larissa veg, joel gastélum, john sheedy and Andres Montiel.  alamos film festival april 3-6 2014. alamos sonora mexico.  photo by joel gastélum.

Hard work and good friends help make a festival happen. Selfie: Joel Gastélum


This happy moment is shared by some of the folks involved with the Festival. From left to right: Carolina Daurte (Festival coordinator), Larissa Vega (Maestra de ceremonia), Joel Gastélum (festival tech guy/ photographer), John Sheedy (Festival director) and Andres Montiel (actor, workshop teacher). This looks like a place to be having fun.

It takes a community to present a film festival

A group portrait of alamos film festival organizers taken in the Alamos Museum. Photo: Joel Gastélum.  alamos sonora mexico. april 3-6, 2014.

A group portrait taken in the Alamos Museum. Photo: Joel Gastélum

The Festival organizers in the photo above from left to right: Rosario Alvarez (El Turismo del Palacio), luz del Carmen Parra (Representante del Turismo del Estado), Angel Flores (Representante de la Educación), René Solís (Presidente de FICAM), Monica Luna (representante del Intitudo Sonorense de Cultura), Benjamín Anaya (Presidente Municipal), Maria Duran (Representante de IMCINE), Antonio Estrada (Director del Museo), Sandra Bustillos Sheedy (Secretaria del Festival), John Sheedy (Director del Festival), Carolina Duarte (Coordinadora del Festival), Marisol de Vega (amiga del festival). This group portrait was taken in the Alamos Museum on April 5th during the inauguration of the Maria Felix exhibit. The exhibit is sponsored by FICAM and will go on to Mexico City and Paris this summer.

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Notes courtesy of John Sheedy. John is a teacher at the United World College as well as Director of the Alamos Film Festival and a filmmaker.

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©2014 Alamos-Sonora-Mexico.com and Joel Gastélum, all rights reserved.

Bishop Reyes Cathedral

88… Inside Bishop Reyes’ Cathedral where time stands still…

Looking down the center aisle, Bishop Reyes Cathedral interior, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

There always seems to be someone, or group, inside the church.

Bishop Reyes’ Cathedral takes up the entire southern side of the Plaza de las Armas. Its three tiered belfry towers above town and touches low passing clouds. Along with multiple daily services the church is also a religious classroom.

Jesuit missionaries founded missions in southern Sonora between 1613 and 1620. Early settlements grow around a mission protected by a fort. The early Jesuits brought Catholic teachings to the Indians as well as trade and farming skills.

From the balcony, Bishop Reyes Cathedral Interior, Alamos. Sonora, Mexico. Photo by Anders Tomlinson.

From up high the church looks taller and the echoes sound louder

Think of all the people who have walked on this floor and sat in these pews. Imagine hundreds of voices reverberating off these walls as they enter and leave the church and the wonderful choir filling the space with song during services. And there is always the church bells tolling time 24-7.

Here is a long history. Bachiller y Licenciado Pedro de Barecelon was an acting priest from May, 1685 to August, 1686. The first parish priest, Father Francisco Saenz de Carrissa, wrote the first recorded date in Alamos history in a “book which are entered the Baptisms, Burials and Marriages started by me on the 28th of August, 1686.”

Main altar, Bishop Reyes Cathedral interior, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

The Cathedral's high ceiling atmosphere creates its own sound and weather.

Grandeur on a human scale. No matter how and where one lives this is an extension of their house. It is their communal living room. It is a place that they can come and be with others or be by themselves. It is their place in their time for all of time.

Parish Priest Don Pedro Gabriel de Arago in 1735 reconstructed La Purisima Concepcion, on the same site as of the originalt small Alamos church made from adobe and cut rock with a beamed ceiling. A 1736 inventory by visiting Bishop Martin de Elizacochea Dorre Escheverria noted all the church’s religious objects were silver except for the gold shrine and chalices.

Pulpit, Bishop Reyes Cathedral interior, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

Here one can come, rich or poor, and be part of something larger.

This is a place of words, music and prayer. As I was taking these photos I watched and listened to praying individuals scattered across the front pews. The intensity of their prayers spoke of their needs or losses. Before me was the human condition in the court of last appeals.

King Carlos III in 1781 ordered a new diocese for Sonora, Sinaloa and the Californias. Bishop Antonio de los Reyes was stationed in the then capital of Arispe in 1783. A few months later he moved to Alamos to avoid Indian raids. Bishop Reyes started to build around and expanding the old church. Services continued here, on the same site as the present cathedral.

The old church was torn down in 1794 when the new cathedral’s walls were ready for rafters and supporting columns. Don Juan Ross was, according to church records, the first contractor. He received a payment of $11,250 pesos in 1786. The cathedral was finished in 1803 under the supervision of Father Camilo Sanmartin. The silver and bronze altar rail was made in Oaxaca. A silver candelbra and lamps provided manmade illumination. This was a fine cathedral, simple but commanding on the outside and elegantly reassuring on the inside.

Sanctuary, Bishop Reyes Cathedral interior, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

Life is not easy, on many levels, and sanctuaries like this ease the pain.

In the home of God, there is handcrafted furniture, art, sculptures, color, gleaming metals, proportion and design. Natural light streams in. In this home of God, Catholics gather and take on life together as a huddled mass. Outside, it has been forever changing as modern times evolve. Inside, it always strives to remain being a continuum of the past, above and beyond forces of change. Life is not easy for the church-goers and it is not easy for the church.

From 1855 to 1861 the War of Reform, church against state, raged on between church members Conservatives and reform minded Liberals. Benito Juarez had created laws that limited the church’s powers, privileges and holdings. Don Jesus Gandara led the Conservatives against General Ignacio Pesqueria’s Liberals supporting the new federal laws. During the war Alamos was won and controlled by both the Conservatives and Liberals. At times, Alamos citizens were engaged against each other.

In 1859 Apaches reached the Alamos district. Alamos Mayor Manuel Salazar came to a peace agreement with the Indians in December 1859. And then the French landed troops in Vera Cruz in December 1861. Conservatives and Liberals ended their War of Reform and came together to defend Mexico from foreign invaders. These were tumultuous times surrounding church and state and Bishop Reyes’ Cathedral stood its ground, as it does today.

Looking upward. Bishop Reyes Cathedral interior, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

Through the years weather and armies have laid siege on this church.

It is true, it is not easy to maintain Bishop Reyes’ Cathedral. There are issues of scale, materials, gravity and weather. And warring man has shot at it, broken in and plundered over the years. The church is a symbol respected by many and held by others, through the years, in low regard.

General Angel Martinez on January 7, 1866 near Alamos defeated the Imperialists commanded by Colonel Jose Maria Tranquilino Almado. General Martinez ordered that the church stripped of any precious metal that could be melted. During the next twenty years days of peace were few and far, scattered between unending revolts, battles, wars and plundering.

And through it all, to this very day, winds and rains made life for the Cathedral a battle of man’s maintenance against nature’s forces. The original designers, builders and artisans would be proud that the Cathedral, their efforts, still stands.

87… Details from inside Bishop Reyes’ Cathedral…

Child holding hands, Bishop Reyes Cathedral interior, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

The innocence of youth looking toward a future of hope and promise.

So much of most human life revolves around childhood, children, grandchildren and…
Those needing guidance and care become those that guide and care.

Resting Priest, Bishop Reyes Cathedral, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

And we all lay our heads downs to rest and our bodies follow.

Religion speaks of yesterdays, todays, and tomorrows. It speaks of better days and better places. Religious followers are asked to endure and conceptually, eventually, benefit from their days of survival and struggle on this small planet.

Bishop Reyes Cathedral interior, Madonna and Child, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

Moments of comfort and caring soothe the human condition.

Detail is added to detail as we near the church’s heart, the congregation’s visual focal point and cosmic backdrop. It is here, for this moment, that all are equal under a supreme and unifying force, the power of human belief and the human drive for universal understanding. Here all seek, in their own ways, answers to what life is.

Ornate Column in Bishop Reyes Cathedral interior, Alamos, Sonora, Mexico. Photo by Anders Tomlinson.

There are columns that support and there are columns that sustain.

I often wonder about the artisans and workers who made columns like this. What was their human condition as they strived for supreme beauty. What was their roof made from, what did they stand on as a floor, what food was served for dinner? How old did they live to be? How many children did they have? And who has come along to restore and maintain these columns? And how did their lives differ from the one’s that came before? I would rather ask a question than give an answer.

Christ on Cross, Bishop Reyes Cathedral interior, Al;amos, Sonora, Mexico. Photo by Anders Tomlinson.

Everyone that visualizes Christ know him in their own light and setting.

Humans seek forgiveness. Humans need forgiveness. Salvation resonates and persists across humankind. It is human to feel imperfect. It is human to seek direction. It is human to come together. It is human to leave. It is human to establish us and them. It is human to protect resources. It is human to feel superior to those outside of their own tribal social circles. It is human to war. It is human to demand retribution. It is human to accept redemption. It is human to take advantage. It is human to overlook unintended consequences. Vulnerable human psyches, looking for direction, migrate across uncharted existences. Be the humans dominate or submissive, rich or poor, all humans have hope, fear, love, hate, need, desire, doubt, confidence, triumph and defeat. And so this is what the human condition has been, is and will be as suns rise and the suns set.

18 … It is all in the details, it is all in the material, it is all in the intent…

plate in bishop reyes cathedral, Alamos, sonora, mexico.  Photo by Anders Tomlinson.

Welcome to Bishop Reyes Cathedral. Think of the scenes it has witnessed.

Ladies from the wealthy homes of Alamos were asked to contribute one of their fine china to decorate the nearly completed cathedral. These plates once sat on elegant dining tables and then they were volunteered to be hung outdoors and exposed to the elements for now over 200 years. Talk about culture shock. A lucky few remain in place.

Cathedral bullet holes, Alamos, Sonora, mexico.  Photo by Anders Tomlinson.

Here the law of equal and opposite reactions is clearly evident, etched in time..

Who fired these bullets? Was it Spanish soldiers, Federalists, Centralists, Mexican colonists, Imperialists, Yaquis, Apaches, Centralists, Conservatives, Liberals, French troops, Independents, Mayos, Reformists, Highway Men, Villistas or local teenagers having target practice? The wealth of Alamos was targeted by every political movement to finance their causes. Alamos was the place to plunder. Alamos has seen the best and worst of human nature.

Bishop Reyes Cathedral detail, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson.

Strong sun highlights fervent beliefs as shadows dance across chiseled features.

Official records indicate that work on the church began in 1786. Alamos elected three town folk to supervise work and manage the budget. The church was finished in 1803. Today, as it always has, a cathedral bell announces the hour and half-hours and masses. Time marches on one bell peel after another, one year after another, one century after another. This is Alamos time.

64… Two churches, two bells, two men and two towns…

tino, caretaker of the church, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson

Tino and his beloved Bishop Reyes Cathedral face another sunset.

I knew this would be an interesting photograph. A man, who, in his face, had seen much of what life has to offer, a church bell framed by its belfry and a natural backdrop stretching from Mirador to Sierra Madres. All were lit by a low brillant sun whose golden rays were diffused by humid shimmering heat waves. We only had a moment to take this photo, as we were speaking he was summoned to fix a pressing property emergency, this is what maestro Tino did. I asked him to look towards the sun and pressed the shutter button. One click and done, another moment saved for the future, this is what Anders does.

Bishop Reyes Cathedral

Bishop Reyes’ Cathedral takes up the entire southern side of the Plaza de las Armas. Its three tiered belfry towers above town and touches low passing clouds. Along with multiple daily services the church is also a religious classroom. Religion speaks of yesterdays, todays, and tomorrows. It speaks of better days and better places. Religious followers are asked to endure and conceptually, eventually, benefit from their days of survival and struggle on this small planet.

To see more Alamos Journal pages.

To return Home.

©2013 Anders Tomlinson, all rights reserved.

Moorish influences

95… A mysterious building on Calle Gral Antonio Rosales and Mariano Matamoros…

Red brick two-story Moorish style building, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson

Looking down from Red Cross hill at a two-story red brick building.

There, north of the Plaza, or below in this photo, is an interesting L-shaped building. The red- brick building in the bottom right corner is this entries’ subject, Each of its many doors opening to the street must have had stories, history, take place within. The rock outcropping in the photo’s foreground can be clearly seen from town.

Walking to town on Calle Rosales, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson

Walking from a barrio to central Alamos for any of a variety of reasons.

Here, a Calle Antonio Rosales runs into a building. These two women are only a block away from the Mercado and the Alameda. They most likely are out walking about doing their daily food shopping. On the other foot, they could be going to the bus station, or visiting a doctor or dentist, doing errands, visiting friends, picking up repairs, or shopping in various stores, stalls and carts comprising the business, retail and service center of Alamos. The woman on the right is carrying a large bag, a good clue shopping will be included on this walk.

The jog where on Calle Cardenas, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson

Calle Gral Antonio Rosales jogs across Calle Mariano Matamoros.

A woman walks west on Calle Gral Antonio Rosales which runs east-west through the northern part of central Alamos, one street south and parallel with Arroyo de La Aduana. Calle Mariano Matamoros, left to right, is three blocks long with the northern end beginning at Arroyo de La Aduana and the southern end running into the Museo Costumbrista de Sonora’s north facing wall. In the background a hardware store displays its wares on the street. Marketing, marketing, marketing… location, location, location…

it is a wonderful day to out walking on Calle Gral Antonio Rosales and Calle Mariano Matamoro near the Alemada, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson.

It is a wonderful day to be out walking and visiting on Calle Rosales.

An old woman with walking stick, dressed in grey, baby blue and pink, stands at the red brick building’s entrance as another woman walks by in the street headed east. One would think all the shuttered doors, so near the Alameda, once had vendors inside. This does not look like a typical residence, it being without a single window treatment at street level and also one of the few two story structure in Alamos, Sonora, Mexico.

Sunrise shadoes on the red brick building, Calle Gral Antonio Rosales and Calle Mariano Matamoro, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson.

The architectural shadow of one building cast upon a sun blazoned building.

Early morning sunlight music plays on the moorish details of this building which are similar in spirt to the municipal government building, the Palacio, also made of red brick. History is here to be comprehended as one looks at textures and patterns of the old buildings. Think back to the day when the stones and bricks were being laid in place. Pause, look and listen.

Detail with sleeping pup, red-brick building on Calle Gral Antonio Rosales and Calle Mariano Matamoros, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson.

What a wonderful vantage point for a dog to take a morning siesta.

A resident of the red-brick building rests in the warm sun. At this time, 1996, the owners of the town’s printing shop, which had a sign I remember as ” Impresta F. Hernandez, Sucn,” managed by Elena del Carmen, lived here. The printing shop was working with letter presses that could have been over a hundred years old. The shop was planing to purchase a computer and move into the digital era. History is forever changing for history is the record of change.

Plaza de las Armas, Bishop Reyes Cathedral, the Palacio are all seen from Red Cross hill.  Alamos, Sonora, Mexico.

The Municipal Palacio and the brick building look as if they are related.

We return to the northeastern hill overlooking Centro Alamos. From here the Palacio, in the upper left-hand corner, and this two story brick building, which resembles a mercado from another day, in the bottom right-hand corner, bookend the plaza and church.

©2013 Anders Tomlinson, all rights reserved.