2017 Anders in Álamos

This is the first of what will be many 2017 Álamos stories.
It had been twenty-some years since Anders Tomlinson, cameras in hand, walked the
streets of Álamos, Sonora, México. Photos by Antonio Figueroa.

Anders Tomlinson taking a photo of Bishop Reyes Cathedral, Álamos, Sonora, México 2017. Photo by Antonio Figueroa.

Time does not stand still but it remains in spirit. Photo: Antonio Figueroa.

There have been changes in Álamos since Anders last visited. Influences and
multiple causations included a copper mine to the northwest and a silver mine to
the southeast opening up, 2008’s Hurricane Norbert, La Fuerza del Destino Mexican
telenova-soap opera filmed in Álamos and airing in 2011 and being designated a
Pueblo Magico by the Mexican Government and tourism industry in 2005.
Over the centuries Bishop Reyes Cathedral, the subject of the above Anders’ photo,
has stood tall. Álamos, like the world, has grown in population and cars.

Anders Tomlinson, 2017, putting gopro camera in place overlooking Álamos, Sonora, México. Photo by Antonio Figueroa.

Attaching a GoPro Camera overlooking Álamos. Photo: Antonio Figueroa.

It is also true that Anders Tomlinson has changed in the two decades since his last
visit in the summer of 1996 to Álamos, Sonora, México. The biggest change is that
he is 21 years older and these are years when the changes in body and mind are
accelerating. In these years technology has changed influencing how and what he
uses to document. Anders, above, is attaching a GoPro camera around a tree
trunk with a wrap-able mini-tripod. Colonial Álamos lays before him in all its granduer.
This trip would help Anders understand how much his “eye as the beholder” has
changed. He still approaches projects with the same focus to document and
preserve data for the future to look back on. He stills marshals inclusiveness over
value judgements. Álamos continues on as it always had.

Anders Tomlinson and Tony Estrada at Reynas restaurant in Álamos, Sonora, México, march 2017. Photo by Antonio Figueroa.

Anders with Museo director Tony Estrada. Photo: Antonio Figueroa.

Somethings have changed little over the years. Tony Estrada is still the director of
the Museo Costumbrista de Sonora. He has been in this position for 33 years.
He is well-respected in this capacity and is also known as an artist-sculptor.
He and his wife Lupita, herself an artist, also manage Galeria Rincon de Arte
in centro Álamos one block south of the Plaza.

Walking through the large gardens of Hacienda de los Santos. Photo: Antonio Figueroa

A big change in Centro Álamos is the expansion of Hacienda de los Santos from one
Spanish Colonial mansion to three Colonial mansions and one sugar mill including footbridges
that cross the Arroyo Escondido and connect the expansive beautiful garden grounds,
restaurants, theater, and lodging. Anders spent his first two nights here and presented
clips to the Álamos History Association from Good Morning Álamos, Sonora, México
to a standing room crowd in the wonderful theater. Hacienda de los Santos provides its
guests with a map of the grounds. Anders found this helpful. The second night at the
Hacienda was one of the best sleeps Anders has had in decades.

Anders Tomlinson oon a hill in Álamos, Sonora, México, 2017. Photo by Antonio Figueroa.

To the east are Sierra Madre rising foothills. Photo: Antonio Figueroa.

Much had happened in Anders’ life since visiting Álamos in the summer of 1996.
He found himself in the Upper Klamath Basin during the 2001 Klamath Irrigation Project
water shutoff that impacted both Klamath Falls, Oregon and Tulelake, California
and made headlines around the world. This became a period of intensive film
production including a film featuring Jimi Yamaichi and the Tulelake Internment –
Segregation Center. This would bring an end to Anders’ traveling days and he
returned to San Diego in 2008 where he remained until the much anticipated
2017 Álamos Sonic Expedition

Anders Tomlinson takes Rigoberto Grajeda portrait at Casa Serena Vista, 2017. Photo by Antonio Figueroa.

Anders and Rigoberto Grajeda do the portrait dance. Photo: Antonio Figueroa.

There were many questions in Anders’ mind when the 2017 Álamos Sonic Expedition
crossed the border into Tijuana on February 21st and hopped on an overnight bus to Navojoa,
Sonora, México. The major issue would be how well would Anders travel. Since 2008 the
longest trip he had taken was 24 miles and had slept every night in his own bed.
His health required three hours of daily exercise and maintenance and a restrictive diet.
Folks in Álamos helped Anders including Rigo, seen above, who cooked several meals
at Casa Serena Vista that Anders shared and Rigo also drove him a couple of times
to film the streets and roads of Álamos. With help from Joan Gould Winderman,
Diane Carpenter, Antonio Figueroa, Luis Angel, Humberto Enríquez and others Anders
was able to accomplish many of 2017 Álamos Sonic Expeditions’ project goals.

Anders Tomlinson taking photos in Álamos, Sonora, 2017. Photo by Antonio Figueroa.

The Mirador’s view is 360 degrees of living Álamos. Photo: Antonio Figueroa.

The Mirador had changed greatly from Anders’ 1996 summer visit. It is now a
destination unto itself including a restaurant. A walking path, 360 steps, from
downtown brings one to a large modern observation platform. There is a sidewalk
along the road all the way to the platform. It is an example of the fine rock work
that has been accomplished across Álamos from the arroyos to El Mirador.

Anders Tomlinson taking a photo in Álamos, Sonora, Mexico, 2017. Photo by Antonio Figueroa.

Anders looks at the world in terms of shot scale – macro to micro. Photo: Antonio Figueroa.

Shooting stills or video for a narrative requires awareness of shot scale to move
the story forward in an entertaining manner. Most of the gear Anders used on
the 2017 Álamos Sonic Expedition shoot was new, small and produced 5,354 photos,
783 videos and 202 audio recordings.

Anders climbing La Capilla in Álamos, Sonora, Mexico, 2017.  Photo by Antonio Figueroa.

Anders knew this would be a many days hike. Photo: Antonio Figueroa.

What was intended to be a seven day expedition turned into two weeks. Anders learned
that he still had the endurance that he had twenty years ago. The best purchase he
made for the trip was a pair of Vasquez Talus Pro GTX hiking boots designed for rock.
His feet were always comfortable no matter the conditions. Happy feet make a happy hiker.

Antonio Figueroa on his ranch in Álamos, Sonora, Mexico - 2017. Photo by Anders Tomlinson

Antonio Figueroa spent three days with working with Anders.

It was a pleasure for Anders to be reunited with Antonio Figueroa and his family.
Antonio took photos, video, recorded audio and provided a car for many street-road
videos. Locations included his family ranch east of Álamos, the new barrios to
the north and west, Uvalama, La Capilla, La Aurora, Hacienda de los Santos and
the Plaza. As noted, all of the wonderful photos in this article were taken by Antonio.

To see more about Antonio in the Spring and Summer of 1996 visit
Easter Sunday with the Figueroas on their ranch.

2017 Álamos Sonic Expedition

Anders Tomlinson arrived in Álamos, Sonora, Mexico on February 22 and
departed on March 6, 2017. Antonio Figueroa, an Álamos photographer
and friend from previous Anders visits 21 years earlier, spent three days
with Anders and helped document life in Álamos with video, photos and
audio recordings. This video are photos by Antonio Figueroa edited by
Anders Tomlinson. Soundtrack by Denver Clay and SonicAtomics.

Good Morning Álamos, Sonora, Mexico

The 2017 Álamos Sonic Expedition visited Álamos, Sonora, México between
February 23 and March 6, 2017. This scene includes time-lapse of receding shadows
across the Álamos valley as seen from the Mirador. Video and editing by Anders Tomlinson.
Music by SonicAtomics/Dig Brothers under the direction of Denver Clay.

To see more 2017 Álamos, Sonora, México videos

©2017 Anders Tomlinson and Antonio Figueroa, all rights reserved.

Galeria de Arte

Upon the wall art becomes windows to somewhere else …

View of Galeria de Arte from the Plaza, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson.

Galeria de Arte was in the building to the left as seen from the plaza.

Beverly Krucek sent me several emails about the gallery she had on the Plaza Las Armas for many years. The following information is complied from her notes. The photo above was taken during the summer of 1996. Beverly was also a leading member of the Alamos Heritage-History Association, AHA, that meets at the Agave Cafe in the Hacienda de los Santos once a month in the summer and every Thursday morning during the rest of the year.

Galarie de Arte opened on the plaza in 1994 and was run by Bev Krucek for some ten years, Alamos, Sonora, Mexico. Photo by Anders Tomlinson

At times Alamos itself seems a living work of art and history and futures.

Beverly Krucek opened the Galeria de Arte on the Plaza in 1994. On average 25 artists were shown in three rooms, portal and patio. Artists came from all over Mexico, some from Columbia, as well as Tucson, Phoenix, New Mexico and a couple from France. Some 10 year later, Bev decided to trade up to a gallery in an art mall being developed and promoted by the Franks in the Urrea house on Calle Obregon. Unexpected problems arose that stopped the art mall project from going forward. By that time, Bev had turned her rental lease over to B.K. Hamma for her use as book shop, gift shop, and a new art galley leased to Vickie Lockwood. Upon taking a further look at the situation, it appeared to Bev that the tourist trade, which was her main target for sales, had fallen off so she left the gallery scene.

Galarie de Arte opened on the plaza in 1994 and was run by Bev Krucek for some ten years, Alamos, Sonora, Mexico. Photo by Anders Tomlinson

Upon these walls, that have seen so much, art speaks of inside and outside.

Beverly wrote about the block that the Galeria was located in,

“The Galleria was on the plaza in the row between the Hotel Alamos and what at one time was the Bank. That strip is now occupied by a games emporium, the Tourist Bureau, (then the Galleria) and a home restoration by the Bours. The strip prior to that, was The Hotel Alamos, The Casino, and I think either a bank or more probably a small residence occupied by the Bours.  The Casino was a club like operation where the men gambled excessively and the women were welcomed on Wednesdays. Some reading offers the information that Alamos was a huge hub of gambling.  Makes sense since most of mining management was an absentee sort of operation there was lots of both time and money.  Cards were big as was cock fighting etc.”

View of plaza from El Mirador.  Location of Galeria de Arte is noted.  Alamos, Sonora, Mexico.  Photo by Anders Tomlinson.

View from Mirador of building where Galeria de Arte was located.

Years ago, when I was in Alamos, Hotel Alamos, also known by many of my friends as the old Miner’s Hotel, was in serious disrepair.

In her emails Beverly addressed the old hotel’s current condition,

“The building part that houses the former Hotel Alamos and to some extent the part that houses the Tourist Bureau is in very bad disrepair and held together in an attractive way by a nice paint job.  Adobe keeps crumbling.  Everyone grumbles about it but no one does anything.  It is owned by Anamaria Alcorn.  INAH in Hermosillo and the local government probably could step in and force the work to be done but who has the money and where does government restoration come in with private ownership?  The end part (corner of Guadalupe Victoria and Comercio) has been well, and I think properly, maintained and restored by the Bours family.”

Casa Nuzum, Calle Comercio 2, from church roof looking east, Alamos, Sonora, Mexico.  Photo by Anders Tomlinson.

Looking down from the church at Casa Nuzum, Calle Comercio 2.

Calle Comerico 2, Casa de Nuzum, recently became an art galley, La Casa del Arte, managed by Tony Estrada and his wife, Lupita. Tony is director of Museo Costumbrista de Sonora, on the Plaza, which features regularly scheduled art exhibitions. Tony is also a gifted sculptor who takes discards and turns them into assembled artistic statements. Beverly commented on La Casa del Arte’s opening night, May 20, 2011,

“Tony and Cammy Nuzum will oversee other areas in the house to be used by artisans for producing their work and selling it from there. It was fun to see Tony’s opening at the Nuzum house where he showed 4 or 5 of the artists I had represented some years ago. It was great to see that they had continued to develop new depths in  their work while still being identifiable in their own style.”

Calle Comercio 2 is across the street from the bank that was next to Galeria de Arte. When I was a guest of Casa Nuzum there were paintings on the walls and art books in the library. I always felt it would be a wonderful gallery space being next to the church and around the corner from the Plaza. Location, location, location… The concept of artists working and showing their work in this historic Casa is profound and hopefully productive. There is a recent history of artisans here, Elizabeth Nuzum hired local women to create her designer clothing line in a wonderful sewing studio in the back pool patio of the house.

Historic footnotes from Beverly that were included in one of the emails,

“There was a Hotel Minero across the Plaza from the Hotel Alamos.  It is the first building on Madero off the Plaza, sort of tucked in at the lower level of the Portales Hotel. It was owned by Palomares (a war hero from the French invasion) and is now called the Hotel Enrique owned by Blanca Quijada Navarro.”

“We still have to add a tiny bit to the Chinese use of the Mexican silver peso…. Alamos did not specifically produce for China… they used the coin that was minted here and identified by A or an underlined A. Kin Rynd who lived there at the time (the 20’s) said it was always referred to as the Mex… much as we would say a buck. It also added balast to the ships returning to China after the deliveries to Northern Mexico.”

Visit one of Bev’s many loves Alamos History Association

To see more Alamos Journal pages.

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©2013 Anders Tomlinson, all rights reserved.